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		<title>Common mistakes at piano and advices for pianists</title>
		<link>http://howtoplaythepiano.org/common-piano-mistakes-advices/</link>
		<comments>http://howtoplaythepiano.org/common-piano-mistakes-advices/#comments</comments>
		<pubDate>Sun, 17 Jan 2010 08:33:37 +0000</pubDate>
		<dc:creator>andrea</dc:creator>
				<category><![CDATA[Common mistakes of pianists]]></category>

		<guid isPermaLink="false">http://howtoplaythepiano.org/?p=274</guid>
		<description><![CDATA[Tips and advices for pianists to avoid common mistakes at piano.
WHEN a student comes to play to the artist with whom he desires to study, how often does he ask, when he has finished his performance Master, what I really want you to tell me is, whether I have any very serious faults in my [...]]]></description>
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		<title>Ludwig Van Beethoven Moonlight Sonata : I mov</title>
		<link>http://howtoplaythepiano.org/moonlight-sonata-beethoven/</link>
		<comments>http://howtoplaythepiano.org/moonlight-sonata-beethoven/#comments</comments>
		<pubDate>Sun, 17 Jan 2010 08:22:18 +0000</pubDate>
		<dc:creator>andrea</dc:creator>
				<category><![CDATA[Beethoven Moonligh Sonata]]></category>

		<guid isPermaLink="false">http://howtoplaythepiano.org/?p=351</guid>
		<description><![CDATA[The first movement of the &#8220;Moonlight Sonata&#8221; by Ludwig Van Beethoven consists of a haunting and beautiful melody, full of romance and pathos floating on a continuous stream of undulating harmony. The interpretation of it should be of the highest imagination, glowing with a quiet radiance of fantasy and feeling. The tone employed must be [...]]]></description>
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		<title>SAonata in C Sharp minor : Moonlight : Beethoven</title>
		<link>http://howtoplaythepiano.org/beethoven-sonata-c-sharp-minor/</link>
		<comments>http://howtoplaythepiano.org/beethoven-sonata-c-sharp-minor/#comments</comments>
		<pubDate>Sun, 17 Jan 2010 08:21:03 +0000</pubDate>
		<dc:creator>andrea</dc:creator>
				<category><![CDATA[Beethoven Moonligh Sonata]]></category>

		<guid isPermaLink="false">http://howtoplaythepiano.org/?p=330</guid>
		<description><![CDATA[The Sonata in C sharp minor was a great favorite from the moment of its publication, and Beethoven jokingly even pretended to be annoyed about it, as he considered many of his other sonatas to be finer works musically; but still the &#8220;Moonlight Sonata&#8221; remains a warm favorite.
Probably the fact, technically, the lovely slow movement [...]]]></description>
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		<title>Moonlight sonata : Ludwig Van Beethoven</title>
		<link>http://howtoplaythepiano.org/beethoven-moonlight-sonata/</link>
		<comments>http://howtoplaythepiano.org/beethoven-moonlight-sonata/#comments</comments>
		<pubDate>Sun, 17 Jan 2010 08:11:59 +0000</pubDate>
		<dc:creator>andrea</dc:creator>
				<category><![CDATA[Beethoven Moonligh Sonata]]></category>

		<guid isPermaLink="false">http://howtoplaythepiano.org/?p=328</guid>
		<description><![CDATA[I HAVE chosen the first movement of the Sonata in C sharp minor of Ludwig Van Beethoven, commonly known as the &#8220;Moonlight Sonata,&#8221; as the subject of my specimen lesson, because it is so universally beloved by all sorts and conditions of people, and is so well known. It is, therefore, one which all students [...]]]></description>
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		<title>Piano scales in thirds</title>
		<link>http://howtoplaythepiano.org/scales-thirds/</link>
		<comments>http://howtoplaythepiano.org/scales-thirds/#comments</comments>
		<pubDate>Sun, 20 Dec 2009 11:56:52 +0000</pubDate>
		<dc:creator>andrea</dc:creator>
				<category><![CDATA[Octave | thirds exercises]]></category>

		<guid isPermaLink="false">http://howtoplaythepiano.org/?p=394</guid>
		<description><![CDATA[Piano scales and chords to play to develop you technique on piano.
Scales In Thirds With Fingerings Marked
I. Right hand.

These fingerings can be used in all tonalities.
II. Left hand.

Other piano exercises
Chromatic Thirds
III. Right hand. Minor thirds.

IV. Left hand. Minor thirds.

V. Right hand. Major thirds.

VI. Left hand. Major thirds.

Piano exercises : online examples
In these pages linked, you [...]]]></description>
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		<title>Elementary principles to study piano</title>
		<link>http://howtoplaythepiano.org/study-piano/</link>
		<comments>http://howtoplaythepiano.org/study-piano/#comments</comments>
		<pubDate>Sun, 20 Dec 2009 11:46:06 +0000</pubDate>
		<dc:creator>andrea</dc:creator>
				<category><![CDATA[Elementary piano principles]]></category>

		<guid isPermaLink="false">http://howtoplaythepiano.org/?p=135</guid>
		<description><![CDATA[Perhaps this might occasionally be successful with a natural-born genius, but it would be an exceptionally gifted being who would govery far without any method or school, as we call it, to start with. For the human mind needs, at the outset, the guidance and direction in all the arts of certain elementary rules, born [...]]]></description>
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		<item>
		<title>Keys and fingers on the piano keyboard</title>
		<link>http://howtoplaythepiano.org/key-fingers-keyboard/</link>
		<comments>http://howtoplaythepiano.org/key-fingers-keyboard/#comments</comments>
		<pubDate>Sat, 21 Nov 2009 15:32:24 +0000</pubDate>
		<dc:creator>andrea</dc:creator>
				<category><![CDATA[Piano technique]]></category>

		<guid isPermaLink="false">http://howtoplaythepiano.org/?p=141</guid>
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This acquiring of the cup-like position of the hand will be found enormously useful later on, in the playing of scales and arpeggios , as it allows easy passage of the thumb under the other fingers. In connection with the striking of [...]]]></description>
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		<title>Scale And Arpeggios Exercises : f sharp fingering</title>
		<link>http://howtoplaythepiano.org/scale-arpeggios/</link>
		<comments>http://howtoplaythepiano.org/scale-arpeggios/#comments</comments>
		<pubDate>Fri, 20 Nov 2009 09:55:21 +0000</pubDate>
		<dc:creator>andrea</dc:creator>
				<category><![CDATA[Scalel and arpeggios]]></category>

		<guid isPermaLink="false">http://howtoplaythepiano.org/?p=390</guid>
		<description><![CDATA[The fingering for the F sharp scale is as follows :
Scales in F sharp and Arpeggio
Right hand.

Scales in F sharp and Arpeggio
Left hand

]]></description>
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		<item>
		<title>Developing the musical memory : tips for pianists</title>
		<link>http://howtoplaythepiano.org/developing-musical-memory/</link>
		<comments>http://howtoplaythepiano.org/developing-musical-memory/#comments</comments>
		<pubDate>Sun, 20 Sep 2009 08:26:29 +0000</pubDate>
		<dc:creator>andrea</dc:creator>
				<category><![CDATA[Tips for Pianists]]></category>

		<guid isPermaLink="false">http://howtoplaythepiano.org/?p=28</guid>
		<description><![CDATA[Having spoken of good tuition, hard work and health, I come to another vital consideration, namely, the development of a reliable memory. It has become the fashion for all instrumental soloists to perform in public by heart; it is a habit that has only grown up in the last thirty years, and I do not [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Fingers &#124; elbows positions upon piano keyboards</title>
		<link>http://howtoplaythepiano.org/piano-keyboard-positions/</link>
		<comments>http://howtoplaythepiano.org/piano-keyboard-positions/#comments</comments>
		<pubDate>Sat, 07 Mar 2009 22:25:37 +0000</pubDate>
		<dc:creator>andrea</dc:creator>
				<category><![CDATA[Elementary piano principles]]></category>

		<guid isPermaLink="false">http://howtoplaythepiano.org/?p=138</guid>
		<description><![CDATA[The first thing, then, that presents itself is the position of the body when seated at the instrument. With regard to this, the pupil should be seated with his chair exactly at the middle of the keyboard, and at a medium distance, that is to say, neither too near nor too far, but so that [...]]]></description>
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